Lady Chatterleys Lover Myflixer - Watch Free Movie In HD

In her new version of D.H. Lawrence's famous story, Lady Chatterleys Lover Myflixer, starring Emma Corrin and Jack O'Connell, French actress-turned-director Laure de Clermont-Tonnerre creates an affair to remember. After binge-watching Bridgerton and yearning for the next period romance, Netflix viewers who have finished the contentious and scandalous book lend themselves nicely to the openly sexual tale of a married upper-class woman's tryst with her working-class groundskeeper. 

On the eve of the nobleman Clifford Chatterley's departure to serve in World War I, upper-class and free-spirited Constance "Connie" Reid weds him. He eventually makes it back to his bride, but he is confined to a wheelchair and paralyzed from the waist down. Initially, Connie faithfully takes care of her husband until he realizes that it is probably impossible for him to have a child. He pulls Connie into groundskeeper Oliver Mellors' waiting arms, encouraging his wife to engage in a "transactional" sexual relationship in order to become pregnant. 

Mellors is a soldier with combat scars caused by an unfaithful wife. He is intelligent, well-read, sensual, and sensitive—exactly the opposite of Clifford. Connie's sexual awakening is audible as the couple starts an intimate relationship that reverberations throughout the community. The success of de Clermont-picture, Tonnerre's which has a script by David Magee, lies in the scorching chemistry between O'Connell and Corrin, who portray the leads, and in her handling of the sex sequences. 

The story is told from Connie's point of view by de Clermont-Tonnerre, who generally stays true to Lawrence's work and even earlier adaptations while also transforming the narrative into a voyage of personal erotic enlightenment. Connie's central role in the narrative empowers feminine sensuality and pleasure while subverting the more conventional portrayal of controlled female sexuality in historical dramas. Isabella Summers's music adds to this effect. 

In order to provide a new viewpoint on the narrative, the camera focuses on Mellors while the couple rolls around in the buff, exchanges passionate glances, and gets close-up shots of Connie's personal sexual enjoyment. The on-screen chemistry between Corrin and O'Connell is clearly hot. As Connie changes from a giddy newlywed to a disillusioned wife to a woman coming into her sexuality with a searing intensity, Corrin, who perfected the demure-but-knowing looks as Princess Diana in The Crown, utilizes their eyes to tell so much on screen. 

The lavish costumes by Emma Fryer stand out even more against Benoit Delhomme's bright, blue-tinged photography because Connie's fiery red gown and the breezy, gauzy outfits are allowed to show out in every shot. The on-screen chemistry between Corrin and O'Connell is clearly hot. As Connie changes from a giddy newlywed to a disillusioned wife to a woman coming into her sexuality with a searing intensity, Corrin, who perfected the demure-but-knowing looks as Princess Diana in The Crown, utilizes their eyes to tell so much on screen. (Stream Free Hollywood Movies On Myflixer.com site.)

The lavish costumes by Emma Fryer stand out even more against Benoit Delhomme's bright, blue-tinged photography because Connie's fiery red gown and the breezy, gauzy outfits are allowed to show out in every shot. The social divide between the aristocratic society and the working class has been downplayed in this version, only to come up in passing as Clifford focuses his attention on the mines and on one of Connie's visits to hamlet. However, this has little bearing on the larger narrative that de Clermont-Tonnerre is attempting to portray, therefore its omission from the movie is not detrimental.